Remember To Remember images from the Empire Seven Gallery exhibition held in San Jose, Ca in 2012. Wild pictures of wild people from a wild life. self-published 2012 all images shot with a Pentax UC-1

Down South In Hell is a zine of travel work and snap shots of the everyday by photographer Beau Roulette. Self-published, 2018.

Book & Job Gallery Exhibition – 2014

In 2014, I exhibited a series of 34 photographs at Book and Job Gallery in San Francisco. The collection presents a stark and hypnotic repetition: women, often topless, sometimes nude, headbanging with raw abandon in front of a massive redwood pentagram I built as the central set piece. Each image is framed against a white backdrop with a wooden floor, creating a stripped-down stage where gesture, hair, and motion become the subject as much as the body itself.

The work blurs ritual and performance, reducing the scene to pure rhythm and force while maintaining a cohesive visual language across all 34 images. The repetition is deliberate: every photograph offers a new variation on the same act, pushing the viewer to notice subtle differences in posture, hair movement, and presence.

The series was also self-published as a book, further distilling the project into a singular, collectible object that extends the exhibition beyond the gallery walls.

Film Photography

This gallery is a personal collection of film images captured on a mix of cameras, Hasselblad, Nikon F4, Pentax UC1, and even the occasional disposable. The work is casual and intuitive: street photography, travel moments, and quiet details noticed while walking around. Each frame is less about subject than about feeling - where light, line, and composition align into something pleasing and unexpected.

Studio Visits

Studio Visits is an ongoing series of portraits made with friends and visitors who come through my studio , images that live between the professional and the playful. Each session is built around trust and comfort, creating a safe space where nothing is forced and everything is felt through. The work celebrates spontaneity and design: bursts of color, compositional experimentation, and the quiet decisive moments that happen between laughter and focus. The result is a collection of portraits that feel personal, connected, and alive and irreverent but never careless, intimate without being heavy.